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PUBLIC PROGRAM POSTPONED
We announce the postponement of the Open Studio with Mayara Ferrão, originally scheduled for today, November 28th, due to the heavy rains affecting Salvador and the Metropolitan Region. The new date will be announced later.
Mayara Ferrão is a visual artist and creative director based in Salvador, Bahia. Her artistic process spans multiple languages and forms of experimentation, particularly photography, illustration, and painting (@verdadetropical), as well as creative and stage direction. She leverages various image and video technologies to create, construct, and promote narratives focused on Black, Indigenous, and dissident bodies. Her experience as a Black woman from Salvador, along with her ancestral roots, symbols, rituals, and elements of Afro-Brazilian culture, serve as sources of inspiration and research for her work.
In audiovisuals, she has directed projects, music videos, and short and medium-length films, including the works Orixás Center, Abian, and A Hora Aberta with musical direction by Letieres Leite, as well as the music video No Coração da Escuridão for singer and songwriter Mahmundi. Her films have been selected and awarded at various film festivals in Brazil and abroad: Cinefantasy, 7th EGBÉ Film Showcase, 15th Zózimo Bulbul Black Film Encounter, 5th Women’s Place is in Cinema Showcase (Best Direction award), 29th Vitória Film Festival (Honorable Mention for Best Cinematography), and the 14th Curitiba International Film Festival (Honorable Mention for Direction).
She has illustrated covers for books and projects by national and international Black feminist icons, such as Lélia Gonzalez, Patricia Collins, Saidiya Hartman, and Luana Souza. Her photography and artwork have appeared in publications such as Le Monde Diplomatique, VOGUE, Marie Claire, and Mídia Ninja.
In her series Albums of Unforgetting (2024), she uses artificial intelligence to fictionalize photographs and documents, creating intimate and ceremonial representations of Black and Indigenous women couples during the colonial period in Brazil. This work has been exhibited in group shows, including Cuir Sou: Notes on Affection at VERVE Gallery (SP); Roots: Beginning, Middle, and Beginning at MUNCAB (BA); Inhabited Memories at SESC (RJ); Tangential Body at Arrecife Gallery (RJ), and she has collaborated on projects with artists such as Luedji Luna, Liniker, and Rachel Reis.