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The Birth of the Wind: Open Rehearsal by Bruno Moreno and Christine Greiner
25/09/2024
6pm to 8pm

The next public activity of Pivô Research will be an Open Rehearsal by artist Bruno Moreno, followed by a conversation with researcher Christine Greiner.

On this occasion, Moreno will present the choreographic research Practices for Exhumation, which he has been developing over the past few years and which leads to the creation of The Birth of the Wind, a project developed during his residency at Pivô Research in the first half of 2024.

The event is divided into three parts: the presentation of the choreographic research Practices for Exhumation, the open rehearsal of The Birth of the Wind, and a conversation between the artist and researcher Christine Greiner.

About The Birth of the Wind:
We are accomplices to a vacuum-sealed body, where the only possible choreography is its breathing. A cloud of bells sways as a witness to this dance that takes place between immobility, vitality, and decomposition.

Bruno Moreno is a collaborator with the platform Marcelo Evelin/Demolition Incorporada and with the CAMPO space (Teresina/PI). His creations are rooted in choreography and oscillate between performance, installation, and video.

Christine Greiner is a professor at PUC-SP and author of books and articles on Japanese culture, philosophy, and body arts.

Artist
Bruno Moreno
Starting from dance as a way to invent political conceptions of the body, Bruno’s creations oscillate between performance, installation, and video. His works lean towards displacing the human body from the position of protagonist and sole agent of performativities.

Graduated in Performing Arts from the University of São Paulo, Bruno also have been an artist-in-residence at CAMPO arte contemporânea in Teresina, since 2018. He participated in the residency program at Espaço Alkantara (Lisbon) and showcased their work at the VERBO exhibition at Galeria Vermelho (São Paulo). His video works have been featured in the Tiradentes Film Festival, Short Waves Festival (Poland), Short Out (Italy), the artistic practices magazine Accesos at the Reina Sofia Museum (Madrid), and are part of the collection at the Museum of Contemporary Art of Paraná.

As a performer, Bruno collaborates since 2014 with Demolition Incorporada, the creative platform of choreographer Marcelo Evelin, with whom they have performed at festivals such as KunstenFestivaldesArts, Bienal Sesc de Dança, Kyoto Experiment, among others.

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