1963, lives and works at St. Michael, Barbados
Annalee Davis is a visual artist, cultural activist, and writer. Her hybrid practice operates at the intersection of biography and history, focusing on post-plantation economies while engaging a specific Barbadian landscape and exploring ecology, memory, and colonial legacies.
Her studio, located on a working dairy farm that historically operated as a 17th-century sugar plantation, provides a critical context for her work. Through drawing, walking, herbal tea-making, embroidery, and cultivating living apothecaries, her practice is deeply rooted in the land — both as metaphor and material — addressing loss, repair, and care.
Her work proposes future-oriented strategies of repair and flourishing, while examining botanical gardens and living beds as ancestral sites of refusal, counter-knowledge, and healing.

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