Catalina Lozano (Bogotá, 1979) is an independent curator and writer and KADIST’s Director of Programs in Latin America. For the past 10 years, she has been interested in minor narratives that question hegemonic forms of knowledge. The analyses of colonial narratives as well as the deconstruction of the modern division between nature and culture have acted as departure points for many of her recent and future curatorial and editorial projects such as the exhibitions The willow sees the heron’s image upside down (TEA, Tenerife, 2020), Le jour des esprits et notre nuit (CRAC Alsace, Altkirch, 2019, co-curated with Elfi Turpin), Winning by Losing (CentroCentro, Madrid, 2019), Ce qui ne sert pas s’oublie (CAPC, Bordeaux, 2015), A Machine Desires Instruction as a Garden Desires Discipline (MARCO Vigo, FRAC Lorraine, and Alhóndiga Bilbao, 2013-14), and the book Crawling Doubles: Colonial Collecting and Affects (B42, París), co-edited with Mathieu K. Abonnenc and Lotte Arndt. In 2018 her book The Cure was published by A.C.A. Public. Between 2017 and 2019 she was Associate Curator at Museo Jumex in Mexico City where she developed exhibition projects with Bárbara Wagner & Benjamin de Burca, Fernanda Gomes and Xavier Le Roy among other artists, and organized the exhibition Could Be (An Arrow). A Reading of La Colección Jumex. She was part of the artistic team of the 8^th Berlin Biennale in 2014.