
1995, lives and works at São Paulo, SP e Santo André, BA
M0XC4 (Porto Seguro/BA, 1995), a student in Industrial Design (UFBA), started his research in the visual arts six years ago. His work in exhibitions like “Water Marks: We must remember.” (2021) in London, and the HOA residency (2021), in São Paulo, as well as group exhibitions and fairs in São Paulo (2021, 2020, 2019), Recife (2018) and Salvador (2017, 2016). His work is about creating a new anatomy that presents the possibility of a dysfunctional body, which is not a body to serve, has autonomy, and has gears to support itself. His work sees exploitation as a device, injected into the culture of being a black body and a working body, removing all subjectivity for constructing a “body-function,” monitored machine. It combines the automation of racialized bodies as the production of working machines and then reforms anatomy processes in the construction of machinery by creating unusable, unexplored humanoids, using conventional and digital painting, and installation as a device for the printing of these provocations.