1984, São Paulo

Bachelor Fine Arts degree from Universidade Federal do Rio Grande do Sul (2008). The researchs undertaken by the artist in the field of photography, body art, video and installation, using elements and symbols drawn from the mystical and religious imagery, often associated with popular traditions of manual labor and craft making (such as knitting, sewing, lace, embroidery) try to investigate her own body to discuss the relationship between representation and presentation of the female body in the contemporaneity.

Showed a body art piece called “Construção de Um Lar – O que me alimenta, o que me sufoca” (Building a Home - What feed me, what choke) at Cidades Contínuas (Ungoing Cities) exhibition, Condomínio Cultural, São Paulo, 2012; also showed another body art piece called “LAPIDAÇÃO | ou livrai-me de mim, amém” (LAPIDATION | or deliver me from me, amen), at Entre (Between), curated by Ana Zavadil in MAC-RS, 2013, a work called “Ensaios sobre o abandono: A Ressurreição” (Essays on abandonment: The Resurrection) at Condomínio Cultural, São Paulo, 2014; the piece “Posses Obscenas” (Obscene Possessions) at Festival de Performance La Plataformance, Oficina Cultural Oswald de Andrade, 2016; the piece Línguas (Tongues), Praça das Artes, 2016 ; has her work shown at the colective exhibition, SAC48 Salão de Arte Contemporânea, Piracicaba SP, 2016. In 2018 her work was shown at “Não há perguntas para todas as respostas” (There are no questions for every answer), Sesc Jundiaí, curated by Isadora Reis; at Que Barra (What a drag), Ateliê 397, curated by Carollina Lauriano, Flora Leite e Thais Rivitti and at Bienal das Artes do Sesc DF. Some selected pieces of her work belongs to Vera Chaves Barcellos Fundation and MAC-RS/Museu de Arte Contemporânea do Rio Grande do Sul.