Sylvia Fernández and Rodrigo Andreolli are in different, opposite time zones, but they think and feel time in a similar way. They throw themselves in time like a feather carried by the wind, like someone swimming in the sea at nightfall, like a drop of water that finds a place to dissolve. During this process they have shared moments of freedom and trust, creating a space for dialogic experimentation, responding to both air currents and messages sent telepathically. They experienced a prolonged pause, paying attention to the vibrations of the visible and the invisible. They coincided in deep listening, paying attention to the signs that defy the spatial and temporal boundaries that structure the urban and modern daily life. They explored how to dilute the edges of the human, invoking porous relationships that connect the most intimate with the most universal. About this mutual support, they tell us:

The mediation of our encounter takes place in the understanding of bodies as a set of existences that are organized in certain forms, to then metamorphose into others. Bodies as extensions of each other through the means. Exercising contemplation of incessant movement, which sets everything in motion between life and death all the time. Times that never intersect, they overlap. What unites us? What´s more, who joins? You and I, besides projections between light and shadow, contrasts and colours, who we are? We meet at the inexact and intangible point between day and night, and we touch each other through the first sun rays that melt the horizon in the morning, or through the last ones, as they trickle there at nightfall. Our attempt to propose sensations in images is lost in the sea of each other, but even there, in this very unique space so that becomes unknown in the darkness, we keep walking, trusting that between not knowing and perceiving, our hands touch and dance what cannot be said. We affect each other more than anything.

For this ‘conmoción total’, we started from telepathic encounter and meditation practices. We began without defining the exact destinations of the forms in production, we tried to experience an empathic connection in the distance, letting intuition and the surrounding environment bring us the reasons and images. Through sensorial expansion, we searched for the confluences of our gazes and our listening, we put our bodies and intentions in an open conversation that walks by different means, but in company. Contemplating each other’s process from an affective state, we started a dialogue between landscapes, shapes, colours and times, mixing paintings, video, writing and dance. Now we invite whoever looks, whoever arrives here, to enter this landscape that we are keeping together.