
1975, lives and works at São Paulo
Master’s degree in Visual Arts [2012] and Bachelor’s degree in Fine Arts [2008] – School of Communications and Arts, University of São Paulo.
Among my solo exhibitions, I highlight: Propriedade de uso comum at Ateliê 397 [both in 2015], Ilhas at MARP [2010], Vista para o mar at the São Paulo Cultural Center [2006], and Paisagem #4 at Paço das Artes [2005]. I have also participated in several group exhibitions in Brazil, including Taipa-tapume at Galeria Leme and Deslize – Surf Skate at the Museum of Art of Rio [2014], Não mais impossível at CCBNB Fortaleza, Técnicas de desaparecimento em Guantánamo, and Abre-alas at A Gentil Carioca [2012], Porque sim. at Galeria Millan and Exposição de Verão at Galeria Silvia Cintra + Box4 [2011], 15th Bahia Salon at MAM Bahia [2008], Panorama da Arte Brasileira at MAM São Paulo [2005], Ocupação at Paço das Artes [2005], Artista Personagem at MariAntonia [2004], and Vizinhos at Galeria Vermelho [2003].
In 2015, I participated in the Barda del desierto residency in Contralmirante Cordero, Rio Negro, Patagonia, Argentina, with the project Deriva culinária.
My artistic research begins with an analysis of the dialogues between art and education, and the possibilities these fields offer for reflecting on history, society, politics, and the relationships between subject and space.
Based on the concept of displacement and its relationship with traversed spaces, architecture, the configuration of urban and natural landscapes, social relationships, and otherness, I aim to generate reflections on the places we occupy. I investigate paths as both an artistic practice and a necessary form for daily life, as well as a form of resistance or critique against traditional forms of circulation and occupation of territories. Additionally, I explore how the subject can become the author of their own actions. Through this, I engage with notions of counter-history, the history of the defeated, utopias, and disenchantment.
I am also interested in envisioning small everyday actions—besides walking, activities such as cooking, conversing, napping, celebrating, and collective living—as forms of resistance.